"Mix" Feature, Straight, Classic La Vitrine du plaisir Alpha France
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With Mix taking the lead, this production incorporates gonzo-style or straightforward hardcore scenes with little plot and softer, more visual-focused or glamour-style erotic content.
With a runtime of about 1 hour and 4 minutes, it feels closer to a complete feature than a short clip.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
A female journalist hangs out at the set of a porn-film in the French capital. She pens an article on the economy of lust. How come people cavort on camera so ecstatically? Cast and crew willingly answer her questions: They criticise and praise the recently legalized French porn-industry and the thus released mechanisms of mind and genitals... By the way, our little Brigitte is only occasionally to be seen here, a 2nd row porn actress.
For those interested in Mix, this serves as another focused example of their on-screen work. Anyone interested in focused, well-defined themes and a deliberate visual organization will likely find this release engaging.
With a runtime of about 1 hour and 4 minutes, it feels closer to a complete feature than a short clip.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
A female journalist hangs out at the set of a porn-film in the French capital. She pens an article on the economy of lust. How come people cavort on camera so ecstatically? Cast and crew willingly answer her questions: They criticise and praise the recently legalized French porn-industry and the thus released mechanisms of mind and genitals... By the way, our little Brigitte is only occasionally to be seen here, a 2nd row porn actress.
For those interested in Mix, this serves as another focused example of their on-screen work. Anyone interested in focused, well-defined themes and a deliberate visual organization will likely find this release engaging.