"C.J. Laing, Bree Anthony, Jennifer Jordan, Jenny Lane, Shelly Lee, Candy Love, Jamie Gillis, Roger Caine" BDSM, oral, group, interracial, toys, lesbi Sexteen Ace Tapes
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With Jamie Gillis, Roger Caine, Bree Anthony, C.J. Laing, Jenny Lane, Candy Love, Jennifer Jordan, Shelly Lee taking the lead, this title leans into BDSM-themed content involving domination, submission, bondage and discipline, mixed-race partners and interracial pairings and strap-on, pegging and toy-focused penetration scenes.
Running about 1 hour, it maintains a balance between brevity and a sense of completeness.
The source description emphasizes the flow of interaction and gradual escalation. A concise excerpt from that synopsis follows:
C.J. Laing was born Wendy Williams in 1953. She was originally from a traditional Jewish family in New York, but moved to San Francisco when she was nineteen. “I was from New York, so I was confused in San Francisco. When you’re twenty and you’re hungry and the rent’s due, you’re really just an idealistic youth; you’re not a whore. Even though you are.”In order to support herself she did a number of dead-end jobs. “I started working North Beach, started hustling, rolling drunks. They’d come into the Nude Encounter, a massage parlour where I was working. There was ‘nude wrestling’ and ‘nude encounter’, you know, in different rooms. I don’t know if there could be actual physical contact, but they could look at you naked. Maybe there were hand-jobs – you know, look at my titties, and get a hand-job. While they were doing that, I was lifting money out of their wallets, say, a hundred bucks, I don’t know how much I could make because I was just so sloppy. I guess I didn’t have a sense of pride in my work.”
In general, this should appeal to viewers looking for structured, theme-driven titles who prefer a structured pacing and framing. For those interested in Jamie Gillis, Roger Caine, Bree Anthony, C.J. Laing, Jenny Lane, Candy Love, Jennifer Jordan and Shelly Lee, this serves as another focused example of their on-screen work.
Running about 1 hour, it maintains a balance between brevity and a sense of completeness.
The source description emphasizes the flow of interaction and gradual escalation. A concise excerpt from that synopsis follows:
C.J. Laing was born Wendy Williams in 1953. She was originally from a traditional Jewish family in New York, but moved to San Francisco when she was nineteen. “I was from New York, so I was confused in San Francisco. When you’re twenty and you’re hungry and the rent’s due, you’re really just an idealistic youth; you’re not a whore. Even though you are.”In order to support herself she did a number of dead-end jobs. “I started working North Beach, started hustling, rolling drunks. They’d come into the Nude Encounter, a massage parlour where I was working. There was ‘nude wrestling’ and ‘nude encounter’, you know, in different rooms. I don’t know if there could be actual physical contact, but they could look at you naked. Maybe there were hand-jobs – you know, look at my titties, and get a hand-job. While they were doing that, I was lifting money out of their wallets, say, a hundred bucks, I don’t know how much I could make because I was just so sloppy. I guess I didn’t have a sense of pride in my work.”
In general, this should appeal to viewers looking for structured, theme-driven titles who prefer a structured pacing and framing. For those interested in Jamie Gillis, Roger Caine, Bree Anthony, C.J. Laing, Jenny Lane, Candy Love, Jennifer Jordan and Shelly Lee, this serves as another focused example of their on-screen work.
