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Here RealTobyDick appear in a scene shaped by oral sex, deepthroat, face-fucking and cum-oriented oral play and gonzo-style or straightforward hardcore scenes with little plot.
With a runtime of about 26 minutes, it feels closer to a complete feature than a short clip.
The original synopsis highlights a mix of interaction and steadily building momentum. A brief outline from the source:
This sweet little girl didn't know what was coming at her so her eyes bulged like a cow when I rammed my fuck rod down her gas pipe! You know what? She liked it. A lot. Her tears are tears of joy. And gagging. Tears of gagging. Yes. I'm amazed she didn't throw up. You know that feeling when your rock hard cock passes the throat? The final push that gets the girl's lips to the base? Its here. In this video. With her bent backwards and my hands behind her head. It doesn't get sweeter than this.
Taken as a whole, this should appeal to anyone interested in focused, well-defined themes who prefer a coherent visual flow. For those interested in RealTobyDick, this serves as another focused example of their on-screen work.
With a runtime of about 26 minutes, it feels closer to a complete feature than a short clip.
The original synopsis highlights a mix of interaction and steadily building momentum. A brief outline from the source:
This sweet little girl didn't know what was coming at her so her eyes bulged like a cow when I rammed my fuck rod down her gas pipe! You know what? She liked it. A lot. Her tears are tears of joy. And gagging. Tears of gagging. Yes. I'm amazed she didn't throw up. You know that feeling when your rock hard cock passes the throat? The final push that gets the girl's lips to the base? Its here. In this video. With her bent backwards and my hands behind her head. It doesn't get sweeter than this.
Taken as a whole, this should appeal to anyone interested in focused, well-defined themes who prefer a coherent visual flow. For those interested in RealTobyDick, this serves as another focused example of their on-screen work.
