"Annie Sprinkle, Roger Caine, Andrea True, J.J. Jones, Herschel Richard, George Arthur, Billy Jaw-Breaker, Justin Case, Byron Stress, Sandra Sweat, Kate Post, Ed Marshall, Johanan Stein, Viju Krem" Classic Smashd MASH'd Hudson Productions, Caballero

This release, with Roger Caine, Annie Sprinkle, Andrea True, Ed Marshall, Justin Case, Herschel Richard, George Arthur, Billy Jaw-Breaker, Byron Stress, Sandra Sweat, Kate Post, Johanan Stein, Viju Krem, J.J. Jones on screen, touches on recorded in a vertical, short-form style that fits phone screens and portrait viewing and softer, more visual-focused or glamour-style erotic content in a steady, cohesive style.

Running about 1 hour and 14 minutes, it maintains a balance between brevity and a sense of completeness.

The original synopsis highlights a mix of interaction and steadily building momentum. A brief outline from the source:

Since both the TV series and the film have strong sexual overtones which must naturally remain unrequited. Smash’ earns its purple “X” with flying uninhibited colors. From the outset – when the medical units dash to the rescue of the crew of a fallen B25, to their return to the base camp with the wounded airmen and though the ensuing operations of their zanyfield hospital – we are treated to a succesion of vignettes loaded with erotic, comical fair-cut exploits and situations. Characteres such as Telescope, Hot-Puss, a bunch of madcap doctors and wild-eyed, sex crazed nurses parade through all the porno repeatory ever conceived by mortal man at his lecherous best. Thus a mud fight between two stripped nurses, a football game between male patients and female attendants, blow jobs and horny encounters – all before the appreciative gaze of cheering onlookers – create the atmosphere the original film could only hint at.

For those interested in Roger Caine, Annie Sprinkle, Andrea True, Ed Marshall, Justin Case, Herschel Richard, George Arthur, Billy Jaw-Breaker, Byron Stress, Sandra Sweat, Kate Post, Johanan Stein, Viju Krem and J.J. Jones, this serves as another focused example of their on-screen work. Taken as a whole, this should appeal to those who appreciate clearly themed releases who prefer a deliberate visual organization.