"Chantal Nora (as Lydia Shane), Claude Janna, Ellen Earl, Laurence Jarry, Laurence Thibault, Maria Catala, Marie-Christine Chireix (aka Christine Glenne), Francois Lopez (John Mop in the American credits), Jacques Insermini, Richard Lemieuvre, Charli
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Centered around Claude Janna, Richard Lemieuvre, Charlie Schreiner, Ellen Earl, Jacques Insermini, Maria Catala, Chantal Nora (as Lydia Shane), Laurence Jarry, Laurence Thibault, Marie-Christine Chireix (aka Christine Glenne), Francois Lopez (John Mop in the American credits), the scene explores gonzo-style or straightforward hardcore scenes with little plot, women-only scenes ranging from soft lesbian to dominant lezdom and oral sex, deepthroat, face-fucking and cum-oriented oral play with clarity and balance.
A runtime of about 1 hour and 25 minutes gives the production a more substantial, feature-like feel.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
A young wife complains that her husband won't make love to her anymore, unaware that the reason for that is that he's spending most of his time having affairs with other women.
Fans of Claude Janna, Richard Lemieuvre, Charlie Schreiner, Ellen Earl, Jacques Insermini, Maria Catala, Chantal Nora (as Lydia Shane), Laurence Jarry, Laurence Thibault, Marie-Christine Chireix (aka Christine Glenne) and Francois Lopez (John Mop in the American credits) may especially appreciate seeing them featured in this context. Viewers who enjoy titles with this kind of focus may appreciate how clearly the themes are defined and how steady the pacing remains.
A runtime of about 1 hour and 25 minutes gives the production a more substantial, feature-like feel.
In the original write-up, attention is given to how the scene develops over time. An abridged version of that outline is included below:
A young wife complains that her husband won't make love to her anymore, unaware that the reason for that is that he's spending most of his time having affairs with other women.
Fans of Claude Janna, Richard Lemieuvre, Charlie Schreiner, Ellen Earl, Jacques Insermini, Maria Catala, Chantal Nora (as Lydia Shane), Laurence Jarry, Laurence Thibault, Marie-Christine Chireix (aka Christine Glenne) and Francois Lopez (John Mop in the American credits) may especially appreciate seeing them featured in this context. Viewers who enjoy titles with this kind of focus may appreciate how clearly the themes are defined and how steady the pacing remains.
